Skreddy Pedals


Edgy, Aggressive Silicon Fuzz

The Skreddy Pedals™ Lunar Module  was designed for "that" certain silicon fuzz tone guitar solo I fell in love with on a best-selling 1973 album.  I intentionally voiced this thing aggressively so it will cut through any mix.  Very satisfying and addictive "vintage" fuzz tone.

Unlike typical silicon fuzzes, which can sound thin and raspy, the Lunar Module has a dark, brooding character.

Classic late 60's/early 70's fuzz tones with extra control, versatility, and added noise reduction. Using 3 transistors instead of 2 and a pre-distortion tone control, the Lunar Module yields many uses and a multitude of tones.

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Starshine is now standard
You can pay in advance
or place a 50% deposit...
$195 Priority Mail
 $215 Global Priority

$97.50
We'll invoice you for the balance
upon completion

Return Policy
 

Old-School Fuzz in a New, Modern Design

bullet Great classic silicon fuzz tones
 
bullet Gets along with other effects
 
bullet Reliable, consistent, and controllable--quite useful and not touchy or temperamental
 
bullet Huge range, from tight, aggressive overdrive/distortion to spitty, sustaining, slightly sick fuzz
 
bullet Of course true bypass, LED, DC power, and small size
 
   

Allow about 3 months for me to make your pedal.
US orders will be sent via USPS Priority Mail
International orders will be sent Global Priority (where available)

Power

9v battery is included.  To prevent the battery from draining while the pedal is not in use, remember to un-plug the input cable from the pedal’s input jack.

 You may also supply external power through an AC adapter.  All Skreddy Pedals accept the industry-standard 9v DC plug (5.5mm barrel x 2.1mm center coax), with the center being negative and the barrel being positive.  Please use a quality, regulated, filtered power supply.  The battery is disconnected from the circuit when an adapter is plugged into the DC jack.

 If you wish to remove the battery from your Skreddy Pedal to use exclusively AC-adapter power, please wrap the battery-clip terminals with electrical tape to prevent them from making contact with the metal inside of the pedal.
 

Reviews

MrPoopsicle:

"Dave and I were testing the Lunar Module together last night and he played shit in just about every style imaginable where dirt would fit and it all sounded great.  Non-floyd shit from White Stripes to latin tripped out salsa shit and some Sonic Youth scrambled noise for good measure.  After about 15 minutes of rocking the fuck out I asked him jokingly if he liked the sound and he was floored when I told him we had not swtiched dirt pedals for any of it.

"...It's Marc's take on silicon fuzz.

It just so happens to be the silicon fuzz IMO.

If that's what your looking for you won't be disappointed. ;)"

 

Travis:

"Tried the Lunar Module as soon as I got it out of the box. I love love love this pedal. I have five other fuzz boxes, but this one not only has it's own niche, I think it may actually be kind of the core of my collection now. I'm looking forward to playing it a lot more this weekend. Thanks. I think there's a couple of old pedals I can cull from the collection now.

I am impressed by how with this box, it is not a matter of "dialing in a good tone." Rather, every setting on this box sounds good, musical, and useful for something."

 

Jeff:

"I just wanted to let you know that I received the pedal today and have had a chance to try it out this evenening for a while. All I can say is .... "WOW"! I have no idea what sort of magic that you managed to squeeze into that little box, but that has to be the best damn fuzz/distortion I have ever used for the DSotM sound. You must have put a little extra on it, too because I managed to quickly dial in a few of the old Zep songs also.
You cannot find a happier, more satisfied customer!
Thanks,"

 

Controls:

Volume This sets the output volume.  You can adjust your Skreddy Pedal to roughly the same volume as your bypass signal (aka “unity gain”) or you can boost your signal for a fatter tone.
Fuzz takes you from gritty, touch-sensitive overdrive all the way to aggressive, saturated, slightly sick fuzz.  Warning: it can get noisy at high settings.
Sharpness dials in the amount of bass going into the fuzz section, for everything from tight overdrive to full-voiced distortion to thick, nasty fuzz.  Warning: it can get noisy at low settings.
Presence trimpot accessible via a hole in the left side of the pedal.  It's set somewhere around 75% or so by me, and you can get more brilliance and “hair” or make it darker and smoother, to suit your amp and taste.
Range trimpot accessible via a hole in the right side of the pedal.  It sets the gain of the input transistor.  Turned all the way up, the Lunar Module will be fuzzier and more aggressive, but also noisier.  Turned lower, there will be a darker, tamer response.  I tend to like it about 20% backed off from max.

 

Clips:

Kit Rae
 
zygoat
Lunar Module demo
Fatback
 
Kittycaster

http://www.soundclick.com/util/getplayer.m3u?id=6230779&q=h

Backing track written by Jay Fuji.

My signal chain is Strat -> Lunar Module -> SMMH set to reverse delay -> Echodrive.

I wouldn't really call this one a song or a pedal demo.... just a convergence of electrons from different locations all funneled by Haunting Mids.

Bobby Devito

A gig from last night, Catalinbread Ottava Magus in various sections, about 4:50 into the song I kicked on the Skreddy Lunar Module....nice!

Also Maxon PT999 phase during the breakdown, morley bad horsie wah, and line 6 DL4 into a George Scholtz tweaked Marshall 2204 50 watt head into a 2x12 marshall bottom loaded with celestion 75 watters.

love that band of gypsies album...
http://youtube.com/watch?v=YtzRZy8KanQ
 

ComfortablyNumb playing Time over a backing track
Comfy demo'ing other tones
Waccopacco through a Deluxe (video)
MrPoopsicle playing the Lunar Module through a Champ

Me playing with singlecoils through a clean amp

Echo added in CoolEdit after clip was recorded.

Clip was recorded with the bridge pickup of a Strat. The Sharpness setting on the fuzz was set to minimum; that's why there's a bit of woofiness to the pick attack (which can be dialed out by turning up the Sharpness control).

Me playing with humbuckers (Seth Lovers) first bridge then neck bypassed, then repeat with fuzz